I will supplement this review over time with imagery and thoughts.
I have shot this collection of bottles in the window at Angelina’s Cafe many times with many different cameras.
+++++ It is a great camera and very fun to use. The image quality is superb from the 28mm (in full frame equivalent) lens. I have owned several versions of the Fuji X100, and the quality from this little camera is completely on par with the Fuji. The Ricoh is the size of a king sized cigarette pack. While it is pocket-able I recommend keeping it in a compact camera case when stored or carried. I have the dedicated GR case that slips onto my belt for easy access. I use the Peak Design hand strap as a perfect and secure carry solution.
++++ Daylight Auto White Balance. The auto white balance on sunny days is a bit too cool for my taste.
++++ Macro. The macro setting works well. One must get quite close to the subject and it can be a bit hard to handhold the camera steady on the chosen focus point.
The key controls on the camera are very accessible without having to enter the menu system. Exposure compensation, change of color rendering and similar things are changed in a snap. The LCD is a touch screen that is handy for choosing a focus point.
A negative is the screen is difficult to see in bright sunlight. I do have a Voigtlander 28mm finder to combat this, but honestly have only used it a few times.
Unfortunately after light use the shutter mechanism on my camera had to be replace. It was just out of warranty and was very promptly repaired by Precision Camera.
The Ricoh repair issue is disappointing. I treated it with care. My Fuji X100 is much more robust. That’s not to say my Fujis have been without fault. Without doubt, the Fuji X100 is a more robustly made. Two brand new versions of my X100’s had motherboard issues requiring replacement shortly after purchase. I sold my last X100 last year since there was too much duplication with my Leica M10. I had motherboard issues with the XT1 and XT2, since sold.
I have read many complaints about dust intrusion into the sensor. I haven’t had this problem, but the concerns warrant using the camera with care in windy conditions where dust or sand are in the air. If you shoot a lot in windy seaside conditions, extreme caution and care is recommended. For inclement weather or dusty conditions the new X100V with protective filter and resulting weather seal is a better but much more expensive option.
**Nisi Filter System and Other Accessories
Nisi Filter System. Nisi now makes an inexpensive dedicated optical glass filter system for the GR iii. Nisi also offers a lens hood that will accept circular 49mm filters. The lens hood defeats the purpose of the Ricoh’s being so compact. With the lens hood and a dedicated 49mm adapter, the Lee Seven Five system can be used with the camera. The Nisi dedicated filter system is much smaller, with a push on filter holder. I review and posted some shots using it in another post. I honestly don’t think I’ll use filters on this camera often. I’ll use other ones for that.
Peak Design. The Peak Design wrist strap is perfect for this camera.
Leather Case. I like the Ricoh leather (?) case. It has a belt loop that is handy and enhances the go anywhere attribute of the camera.
Camera Bag. A camera bag is unnecessary, but when I pack the Ricoh with a film camera I use the Ona small street bag.
External Finder. I own the optical Voigtlander finder equivalent to the GRIII lens but haven’t used it yet. I am not crazy about using only the screen to compose. In bright sunlight the screen is almost invisible. I do wish the camera had a finder such as the one on the Sony X100 models.
The camera works beautifully for landscapes, and also has a good macro feature. I haven’t used it for street photography, but given it is so small and discrete the Ricoh would be very good for that genre.
**Handheld at Slow Shutter Speeds
The in camera stabilization is excellent. I’ll post representative images here, whether they are good or not so good. It’s disconcerting the viewfinder blacks out for shots like this so one doesn’t know when the exposure ended.
**Straight From the Camera
I will post straight from the camera images here, with no presets and very minor edits with universal straightening of vertical or lines where needed and crops to remove unwanted clutter. The base image quality from this lens and the camera’s sensor is simply outstanding. I fiddle with fingertip accessible exposure compensation depending on the scene.
For the following 4 images, I let the camera do all the work on P. It underexposes more than I would like.
**** Around Town: These will be images shot during walks around my beautiful town.
December 26, 2020 Out of Camera .jpgs below. Without a viewfinder it was impossible to see the seascapes on the LCD screen. I recommend a leveling cube on the top of the camera for these situations. I got lucky with straight horizons. The seascapes were directly into the sun and there is no flare. There is some vertical distortion on the shot of the door, taken from about 3 or 4 feet away.